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Syed Jamil Ahmed
Syed Jamil Ahmed (born 7 April 1955) is a Bangladeshi scholar and theatre director, and founding chair of the Department of Theatre and Music at Dhaka University. He is probably best known for his innovative work with traditionally Bangladeshi theatrical forms, and for his academic study of these performances, many of which have strong religious and ritual components."〔Geoffrey Samuel, “Review of Reading Against the Orientalist Grain: Performance and Politics Entwined with a Buddhist Stain.” Religions of South Asia 6.1 (2012), p. 138. Retrieved from 15 July 2014.〕 “A strong advocate of theatre as localized, improvised praxis,” the name of Syed Jamil Ahmed is “linked with myriads of successful productions” in Bangladesh, India, Pakistan and the US.”〔Depart, “Syed Jamil Ahmed Receives NSD Award.” Depart 1.2 (2010). Available at http://www.departmag.com/archive/2nd_issue/syed_jamil_ahmed.html〕
== Early Life and Education ==
Syed Jamil Ahmed was born in Dhaka city in 1955. He remembers his schooling, family life, and the world around him as narrow, difficult, and oppressive. "As he searched for fuller meaning in life, he was suddenly thrown into the Liberation War in 1971 as a freedom fighter."〔Ashoka: Innovators for the Public, “Jamil Ahmed: The Person.” Available at https://www.ashoka.org/fellow/jamil-ahmed〕 The violence of the war left a deep scar inside him as a sixteen-year-old, for “having seen dead bodies rotting with gaping holes and the charred remains of abandoned homes, () having walked the streets of Dhaka city, clasping the clip of an unpinned grenade in () trousers pocket.”〔Syed Jamil Ahmed, “Negotiating ‘theatre (in place/instead) of war’”, Research in Drama Education 11.1, 2006, p. 59.〕 Quite accidentally, Jamil came in touch with an amateur theater group named Dhaka Theatre in 1974. "Theater appeared not only creative but also meaningful,” he recounts, “since the group worked out of a deep seated conviction that its action could generate positive social action."〔 In 1975, Jamil received a scholarship from the Indian Council for Cultural Relations (ICCR), and dropped out of English Literature BA (Hons) programme at the University of Dhaka to join the National School of Drama in New Delhi.〔 Here, from 1975 to 1978, he studied for three years and worked as an apprentice fellow for another year, under the guidance of two iconic figures of Indian theatre, Ebrahim Alkazi and B. V. Karanth. One of them, Alkazi, guided him through ‘Western’ theatre, and the other, Karanth, through the indigenous/traditional theatre of South Asia.〔Sujat Hossain, “Syed Jamil Ahmed: Bohudin Por Monchjo Aloy” (Bengali ), Daily Prothom Alo, 19 July 2012. Available at http://archive.prothom-alo.com/print/news/274792〕 He received his Diploma in Dramatic Arts with distinction from the National School of Drama in 1978.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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